Free Download Matthew Barney: The Cremaster Cycle

Free Download Matthew Barney: The Cremaster Cycle

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Matthew Barney: The Cremaster Cycle

Free Download Matthew Barney: The Cremaster Cycle

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Review

"The most important American artist of his generation." -- Michael Kimmelman, The New York Times Magazine

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Product details

Hardcover: 546 pages

Publisher: Guggenheim Museum Publications (August 2002)

Language: English

ISBN-10: 0810969351

ISBN-13: 978-0810969353

Product Dimensions:

9.5 x 2.2 x 12.8 inches

Shipping Weight: 8.4 pounds

Average Customer Review:

4.4 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#1,558,013 in Books (See Top 100 in Books)

This book, describing Matthew Barney's masterpiece "The Cremaster Cycle" is more than the standard book of photos from an exhibition. It is a work of art itself, encapsulating the entire Cycle in 500 pages. It could serve as the textbook for an entire semester art course on the creative process, the meaning of contemporary art, even questioning man's struggle to create.This book is in 5 main parts. First is Nancy Spector's brilliant 80 page essay on Matthew Barney's work. This is no mere blueprint of the meaning of the Cremaster Cycle; instead it is an ambitious work in its own right, exploring as much ground as Barney himself. The level of detail and penetrating questions Spector brings up is mind-blowing. I can think of no other essay on art that has moved me like this one. After seeing the entire Cremaster Cycle and reading Spector's discussion on it, I can only conclude that even contemporary art geniuses like Richard Prince, Koons, even Warhol are doing paint-by-numbers in comparison. If you are looking for a simple Rosetta Stone for the Cycle, in which you are told "X is a symbol for Y and this is what the whole thing means" you will be disappointed. That is the power of Barney's work - it is universal, yet personal, accessible, yet confounding at the same time.Barney's work is not defined by a tight narrative with one fixed solution. Nor does it have the feeling of random scribblings devoid of meaning, attempting to provoke like many contemporary artists. There is nothing wasted here - every detail matters. At every juncture, Spector goes one step further; she takes a scrap of detail and lingers, letting it's implications emanate outward like the rings in a pond from a tiny pebble hitting the surface. The very struggle of creation is what is at stake here. While most contemporary art is no more than shrill complaints about current events like war, racism, or homophobia, Barney soars above them all and deals with universal, timeless issues.The second part of this book is an "encyclopedia" of sorts, which dovetails nicely with Spector's work. Like her essay, it delves deeper into specific elements of the Cycle, without being an "on the nose" explanation.The third part of the book is the visual meat of the book. Organized in the five parts of the cycle, it is a collection of photos, drawings, sculptures, images and articles that relate to the Cycle. None of the exhibits are labeled with text, which allows the viewer/reader to experience them in order, without text which might block the direction the mind can travel. It is a veritable scrapbook, with everything from scenes from the films, to Polaroids that inspired some of the art. It is nicely tabbed by section, and the quality of the paper and images is outstanding.The fourth part of the book is the text that is an index of part three, explaining exactly what each visual element is. This is very useful and informative and the decision to keep this separate from section three is a good one.The final part of the book is a series of articles from interviews with Matthew Barney's various collaborators. For anyone that has seen these films and wondered "what is it like working on one of these strange films?" this is the most rewarding section. An artist dresses you up like a 1950s Hollywood starlet in silky lingerie, puts you under a table, has you make designs with grapes that come out of your strange shoe - what is that like? The answer is here. The only thing I would have liked to have understood better is the business side of it all; an interview with Barbara Gladstone who helped finance the project would have been very interesting to me.This book is a prized possession, a piece of art itself. Like no other exhibition art book, this book is like owning a piece of the Cremaster Cycle. Other than owning one of the limited edition Laserdisc copies of the Cycle, this is the best way to "collect" Barney's work. This book has greatly deepened my understanding of all art, not just that of Matthew Barney. Nancy Spector is a art genius herself for recognizing and promoting the deep talent of Matthew Barney. Reading her essay may even make you ask yourself serious questions about your own life.

If you have been lucky enough to see the 5 Creamaster films I'm sure that you were left as awestruck as I was. This book is the perfect source to try and make some sort of meaning out of all the minutia. As twisted /demented as Barney's work appears, you can see his genius unfolding before your very eyes.

I already love the book. The picture and headline were a bit misleading though. I was thinking this was the hardback from those two things. Still love my book. Thanks.

Whether you like Barney or not, this book made for the Guggenheim solo exhibition in 2002 have lot of meat. 500 pages covering his Cremaster series (1,2,3), with numerous photograph stills of his films, reference photos, and his works. Approximately, 340 works are shown. The book quality is very good (did not quite match the creativity of Damien Hirst's I want to spend the rest...book), but nevertherless, this book will serve as Barney's important documentation.

I'm so pleased with Matthew Barney's Cremaster Cycle book. I was lucky enough to see this show in New York, it was truly a life changing experience.

Excellent quality. A truly beautiful book. The images inside are not a complete catalog of the work but that's okay with me.

Practically an encyclopedia on Barney's Cremaster Cycle. This is a huge book. Fascinating.

Nancy Spector, Matthew Barney: The Cremaster Cycle (Guggenheim, 2002)Nancy Spector's tome may just have been meant as an accoutrement to the Guggenheim's massive Barney exhibition in 2002, but as an accoutrement, it stands out. Not only in its physical dimensions (Amazon's website says the shipping weight of this book is 8.6 pounds, but after lugging it around for six weeks, I'm willing to put money on the idea that it's closer to twenty-five; it's over a foot tall, and easily as thick as one of the larger volumes of the unabridged OED), but in the concept itself. Spector's essay on Barney takes up the first ninety-two pages, after which comes a glossary of Cremaster terms that reads better than any other glossary you've ever read (think of The Dictionary of the Khazars to get an idea, but using all terms that relate to the Cremaster cycle). Then, of course, the photographs. Mostly video and production stills from the films, but also photos of pieces of Barney's original sketches and storyboard, the sculptures made after the films, and other wonderful little oddities. Good stuff, and a must-have for any Barney fan. Those who have just heard the name, but not seen the films, will get an excellent overview of what you've managed to miss. Those who have no idea who Matthew Barney is, check it out to see what all the fuss is about.In other words, you want this. ****

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Matthew Barney: The Cremaster Cycle PDF

Matthew Barney: The Cremaster Cycle PDF

Matthew Barney: The Cremaster Cycle PDF

Matthew Barney: The Cremaster Cycle PDF